spacesistas

[thereminzone]

WOW!!! FINALLY FINISHED THIS ONE!!!

This work used a lot of textures! Wikimedia was my best friend, particularly for the macro shot of the wing scales used in the backdrop (H. Zell, CC BY-SA 3.0, via Wikimedia Commons) and the photo layered over the barcode (Michael Hanselmann, CC BY-SA 3.0, via Wikimedia Commons). I think it lends a really nice mixed media feel to this :D

These two are the other two members of THREAT DISPLAY!!!, the fake band for my dnd character Helvia. Rambling about them below the cut for context! Warning, it's long. And probably requires the context provided by the post I made about Helvia.

As is made probably blindingly obvious by this illustration, I continued the name of naming/loosely basing the design on a bug with a threat display, in this case being the peacock butterfly, Aglais Io! It's a really neat creature, being one of the only butterflies as far as I know to have a drastically different pattern when viewed dorsally versus ventrally

Obviously I pulled this pattern as directly as possible for Aegis's (left) jacket, but it's also on the inner lining of Vanessa's (right) overskirt. It's better visible in the earlier basic ref for them:

They look awfully similar.. and that's because they are twins! That's a lie, actually, but it's what the marketing of the band wants you to think. In reality, they are the same exact model of robot, meant to look human in comparison to Helvia, styled differently. They kind of have a complex about this, as would be expected if you were created and saw someone with your exact face who you are more or less put in competition with, and also told that neither of you really matter? It's a gimmick at best. They're not meant to be the real stars here, so it's easier if the public can just lump them together and let them fade into the background. I can't stress just how unimportant these two were considered in comparison to Helvia- they didn't appear in much marketing, and when they did, they were treated more like props. They weren't given unique identities, no fake memories unlike Helvia, just set into this situation with the expectation that they should know they are not important, they are not unique, and anything they do should be to further support Helvia.

Ultimately, though, they are very different people, especially in how they felt about this.

Aegis more or less resigned himself to this, he didn't see the point in trying to fight it or change the situation. He tried to not make anyone upset, stay neutral, do what was asked of him without thinking about it too hard. Sort of dissociating king? I think he internalized the fact that he's not "supposed to be a real person", and it influenced his behavior. He can acknowledge the horror of his situation, but doesn't find the point in fighting it.

Vanessa, meanwhile, finds none of it acceptable. She hates this. She hates the fact that she is a product and a tool and not even an important enough one to be given a basic sense of identity. Giving very "malicious compliance", she can't do much, but she took every opportunity to make it clear just how much she can't stand any of this. She felt that Aegis was a coward, especially because he would always be there to condescend to her, saying it's in her best interest to give up any time she got in serious trouble.

They, predictably, had a pretty rocky relationship because of this. Indirectly pitted against eachother for any amount of minimal spotlight that wasn't going to Helvia in hopes of being given any sort of grace, they also had no one else to rely on? Certainly not any staff, and CERTAINLY not Helvia, there's no one else that understood the unique horror of their situation quite so much as each other, even if they responded in wildly different ways. They had eachother's back, unspoken. Aegis telling Vanessa to 'just give up' is equally an attempt to prevent her from getting hurt further as Vanessa telling Aegis to 'stop letting this happen to you'– they just think that their respective poor coping mechanism is the way to go, when in reality it just means they each continue to be hurt. Dude these guys suck. As much as the twins marketing thing is a sore subject, in a sick way they end up actually having a sibling-adjacent relationship, I think.

As for their relationships with Helvia? Arguably more complicated.

It's a mess. Nobody is having a good time, except maybe Helvia telling herself she's having a good time. The closer they were to her, the better shot they had at actually being treated like they were interesting or important by marketing, and it created obviously an environment that was Not Good! They each had tumultuous on-and-off relationships with her as was directly encouraged of them, regardless of how anyone actually felt. It doesn't help that Helvia herself treated them carelessly, obviously told that they were there for Her– and as someone who wholesale bought into the image she was created for, who was in denial about the fact that she was literally a product, she wasn't exactly receptive to any of their struggles. Aegis pitied her despite their similarities, while Vanessa pretty much wanted her dead. It's bad. It's sooo bad. It's messy.

As for what they're up to now? No clue yet <3 they've yet to appear and I kind of already have terminal brain illnesses about them, if the above paragraphs didn't make it already obvious. Honestly this was just me making half decent art of them to post as in introduction to them before I drop the uh. 12 page comic I made in a fugue state during finals week. So keep a look out for that, I guess!

[cattyanon]

@bestjeanistmonster I hope you don't mind that I made an AU of your AU but I couldn't stop thinking about "what if they didn't actually stop looking for Nicky after the memorial and found him" with a side of "but he's still pretty deep in the him being weak and pathetic brainwashing". So now I present to you... RED HOOD.

He also got adopted into the Knuckles household (except they're keeping his rescue on the down low so he can recover) but everyone was treating him like he was fragile and made of glass so he eventually has enough and decides to prove himself by taking over the underworld, but only after he's had a little crazy juice under the assumption that the acid that changed The Joker made him stronger. Of course we all know what it really did was make him crazy but he doesn't know that... Also he's traumatized even if he doesn't want to admit it.

[theenemyod]

Does an author auth?

[mischievous-thunder]

Oh, what a shy little fiery kitty you've got yourself, Wade!

[problemnyatic]

when will we talk about the willful helplessness epidemic on here. So many people on this god forsaken website demand to have any and all things that exist outside their personal experiences directly, personally pre-chewed and spoonfed to them. And when you do, they'll then ask for you to swallow for them, too, because, you see, in THEIR experience..,

[lasnevadaslaborunion]

It frightens and discourages me how pervasive "tribal" stereotypes and imagery are in the fantasy and adventure genres.

It's all over the place in classic literature. Crack open a Jules Verne novel and you're likely to find caricatures of brown people and cultures, even when the characters are sympathetic to the plight of the colonized peoples - incidentally, this is the biggest reason I can't recommend 20,000 Leagues Under the Sea to everyone, despite Captain Nemo being one of my favorite fictional characters of all time.

You can't escape it in modern cinema, either. You'll see white heroes venturing bravely into jungles and tombs to steal from natives who don't know how to use their resources "properly." You'll see them strung up in traps, riddled with sleeping darts, forced to flee and fight their way out. Hell, Pirates of the Caribbean, a remarkably inclusive franchise in many other ways, had an extended sequence of the white heroes escaping from a cannibal civilization in the second film.

And when fantasy RPGs want a humanoid enemy, the "bloodthirsty natives" are the first stock trope they jump to. World of Warcraft is one of the most egregious examples, with the trolls - blatant racist caricatures with faux-voodoo beliefs, cannibalistic diets, Jamaican accents, and a history of being killed in droves by (white) elves and humans - being raided and slaughtered in nearly every expansion.

It doesn't matter how vibrant and distinctive the real-world indigenous, Polynesian, Caribbean, and African cultures are. It doesn't matter how much potential these real civilizations offer for complex and sympathetic characterization. Anything that doesn't make sense to the white western mind is shoved under the same "savage" umbrella. They're different. They're strange. They're scary. They have to be escaped, subjugated, eliminated, ogled at from the safety of a museum.

Modern writers, directors, and developers don't even seem to realize how horrifying it is to present the indigenous inhabitants of a place as "obstacles" for non-native protagonists to overcome. "It's not racist," they say, "because these people aren't really people, you see." And if you dare to point out anything that hurts or offends you as a descendant of the bastardized culture, you're accused of being the real racist: "These aren't humans! They're monsters! Are you saying that these real societies are just like those disgusting monsters?"

No, they're not monsters. But you chose to design them as monsters, just as invaders have done for hundreds of years. Why would you do that? Why can you recognize any other caricature as evil and cruel, but not this?

This is how deep colonialism runs.

[soapyakships]

missing from the real world

[chorsana]

OH HEY, REMEMBER HOW I MENTIONED THAT I KNEW THERE WAS GONNA BE AN S/A SCENE!? GUESS EHAT JUST FUCKING HAPPENED! WHY!? I don't understand...

it was filed on TVTropes as a "big-lipped alligator moment", so I'll just pretend this never happened. still, this does spoil my mood. good thing I was mentally prepared.

[sandflakedraws]

re : how each brother reacts learning that they can't go back

you'll have to pry the "all the Brozone Bros knew what happened at the tree" headcanon outta my cold, dead dead dead hands.

[abyssalzones]

it's really hard figuring out your gender and sexuality when it's the 1970s and you can't just google "am I transgender quiz"

[water7-ebooks]

if you told me your dog was heterosexual i'd be like. uh. dogs don't have a concept of gender or sex dipshit. but if you told me your dog was gay i'd be like that fucking rips bro hell yes

If you are annoying on this post you owe me $5

[hanmegumi]

LMAO

edit: turning off reblogs because some of the people that are reblogging are extremely fucking moronic. holy shit

[akanemnon]

Please... no more sad

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[otiksimr]

Average un-symbiosed Leafwing.

There are actually two types of leafwings, variants if you will. "Living Gardens" and "Walking Plants". This post is about the Living Garden variant.

At heart, Gardens are just that, gardens. They on average look like sticks or peculiar driftwood, and throughout their life have plants growing on them. It starts young where they have the highest chances of a complete symbiosis with a plant, When a Garden first symbioses with a plant, usually only ever one species of plant for their whole lifetime (things can get messy if there's multiple species on one dragon, the plants basically fighting each other for real-estate on the dragon). Vines and trees are by far the easiest for a Garden to symbiose with, with carnivorous plants being the hardest.

Garden families have traditions of keeping the "Family plant", with each generation either symbiosing with the same plant as their parents or the same general species.

[normal-thoughts-official]

It's actually insane how brave Wyll is when it comes to Mizora. Not only by not killing Karlach but also all the small ways he defies her - calling her an asshole, saying she's full of shit, even when Mizora is literally choking him he's still telling her that she's a liar. Whenever she shows up it's pretty much guaranteed that she will have to threaten him with lemurehood because he simply refuses to play nice. Even if it accomplishes absolutely nothing and in fact is actively dangerous to sass her

And like. Of course this ties in with how Wyll has pretty much nonexistent self preservation skills and a sense of moral fortitude so strong he can't even pretend to not be hostile towards her. But i also think it ties with Mizora's obsession with him

Because while we all know Mizora is evil and annoying on principle and all that shit, she seems to be particularly interested in tormenting Wyll. I have to assume shit like putting a tracker on him and showing up randomly just to spite him and staying in camp just to be annoying even after the contract is over are Wyll specials, because if she did this to every single one of her warlocks then she would have time for nothing the fuck else. And we know from Karlach that she's generally more worried about sucking Zariel's toes, so

(Also, I've been told that in early access she was like... Straight up jealous if you romanced Wyll, so, again. Obsessed with him in particular)

I always got the impression that she was so evil and annoying to him because she was overcompensating. Mizora is a cambion, which means she's half human, which means that in Hell's hierarchy she is fucking trash. Even the official cambion lore states that they are often rejected in both realms and struggle to earn one of their parents' approval. And it's obvious that in Mizora's case she's aiming to be accepted in the Hells.

I've seen some people claim that Mizora is too cartoonishly evil, and while that is objectively true... I think it works precisely because it's so cartoonish. I'm thinking particularly of how she describes her home in the Hells being all "oh, how I adore it, the delicious agony of it all". It's so over the top it's eyeroll worthy. I don't think Zariel herself would be Like This about it

In other words: Mizora is a tryhard

And Karlach even implies that Mizora resented her because she was Zariel's favorite, which is why I think Mizora's tryhardness was intentional as opposed to just a lazily written villain. She wants to fit in the Hells so bad it makes her look stupid. And she never will, because no matter how over the top she is about being Generically Evil, she is simply not that powerful or important.

So she overcompensates, and then she uses Wyll as her punching bag. If her own superiors will always see her as vermin, then at least she can cope with that by treating others that way as well.

But like I said, she will have no time left to suck Zariel's toes if she spends all her time tormenting every single warlock under her patronage, so the question is: why Wyll?

Obviously his unwavering goodness is the biggest reason. His soul is already damned and yet he refuses to be selfish with the time he has left on the material plane. Mizora can own him, but she can't corrupt him, and that makes her hate him. The fact that even despite her best efforts he is still recognized and beloved as a hero has got to sting too, considering she tries so fucking hard to be the Evilest Cashier In Hell or whatever. And the fact that he still manages to belong in his world (however isolated and lonely he obviously is) despite his connection to hers and she can't belong in her world because of her connection to his... Well, jealousy is to be expected.

But I think his refusal to play nice with her also plays a big role.

There's the obvious "this makes her resent him even more" factor; if Mizora wants to feel superior, it must piss her off to no end that Wyll refuses to bow to her, even if he does her bidding.

But, paradoxically, this also makes her feel more powerful.

Because at the end of the day, she does own Wyll's soul, and he does have to do her bidding, even if he doesn't go quietly. And the fact that he hates her so openly makes it all the more satisfying to have him do what she wants anyway. In Wyll's words, "the more bullshit she pulls, the more [he's] forced to swallow". His hatred for her is exactly why she wants him so bad, even though she obviously hates him just as much.

And so this is why she's so desperate to get Wyll's soul back, and why, even if he breaks the pact, she still makes it a point to stay in camp just to fucking spite him. Because Wyll is the only warlock that actually makes her feel appropriately Powerful and Evil, if we assume that her other warlocks are simply not as good aligned as Good Alignment Georg or even just don't want the trouble of spiting her for no reason. She can be obeyed and tolerated and maybe even revered by the other warlocks, but only Wyll can make her feel like an absolute, inescapable power. Because the other warlocks choose to obey her. Wyll makes it clear that he has to, and thus, she feels like she is mighty.

And obviously I know that the whole "person who has it all is obsessed with the one person who doesn't obey them" trope is a well known cliche, but I think Mizora and Wyll's dynamic is unique in that Mizora doesn't actually want to make Wyll bow to her and respect her as an authority; she wants him to fight back so she can feel like she's winning.

(And, of course, because Mizora doesn't actually have it all; she's just a petty errand girl who wants to feel special)

So, yeah. Wyll's incredible bravery in constantly defying her is exactly why she is so eager to keep him

[redcallisto]

so this is exactly it